
An Exquisite Revisiting to the O.Z.
If you are expecting ruby slippers and a cackling green lady, you are in for an awakening of your own. Growing up with singing munchkins, I realized, hey, I am a grownup. And SciFi seemed to realize it too with a magnificent departure from the 1939 MGM film to a brilliant, futuristic, decadent, and sometimes apocalyptic telling. The reinventions of characters and fantastical sets soon transport you from the familiar to a place you find yourself hard to take your eyes off of-- from phosphorous-glowing trees, desolate paths, Metropolitan-like art deco palaces, and underworlds unlike anything and then again reminiscent of a certain alphabet city pre-Rudy.
The story itself is not for the kiddies. Mine were told continuously to leave the room, go play, and find something else to do. But the grown up fairy tale is long overdue. The story actually had twists, turns, and menacing meaning-- much more substance and meaning than the trifles the network and cable gurus seem to...
Amazing
This will sound wierd, but this movie is like a realistic explanation for the original wizard of oz. I know its incorrect to say this, but, when I watch this movie I feel like its the real version, and the old movie is like a watered down "kids" version of the story. That being said, I really enjoyed it, all six hours of it on the Sci-fi channel. Anyway, I will definitely be purchasing this when it comes out. Its so cool to see a movie you kind of know, but then dont really know at all! I recommend it for anyone, all ages.
Great concept, so-so execution
WARNING: SOME SPOILERS
I loved the premise behind this--a darker, more adult, epic fantasy version of the Wizard of Oz. I was actually pretty psyched about seeing this. Did it deliver? Well, kind of.
The plot moves along at a good clip for the most part, and the special effects are surprisingly well-done for a made-for-TV miniseries. I liked that the monkey bats seemed to be some sort of puppetry or stop motion rather than entirely CGI. But overall, I was left with the feeling that this series could have been so much better.
One of the biggest problems for me was the dialogue. Tin Man suffers from a severe case of "writer speak"--characters spout lots of "clever" lines that no real person would ever say. It doesn't help that Zooey Deschanel seems to be locked into a narrow range of acting. I don't know if it's her fault or the director's, but regardless of what's going on she conveys a deadpan, sardonic nonchalance. When she's swept into...
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